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October 2019

Gallatin Global Fellowship in Human Rights Fall Symposium

October 10 @ 5:00 pm - 9:00 pm
The Jerry H. Labowitz Theatre for the Performing Arts, The Gallatin Building,1 Washington Place
New York, NY 10003 United States
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2019 Fellows will present on the results of their summer research and internships.  More details TBA

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The Rohingyas in Bangladesh and Myanmar: A Case of “Subhuman” Life

October 11 @ 12:30 pm - 2:00 pm
NYU King Juan Carlos I of Spain Center, 53 Washington Square South
New York, NY 10012 United States
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Citizenship is a legal status conferred by the state that makes non-citizens a new ‘other,’ a vulnerable category viewed as less than human that Uddin refers to as being treated as “sub-human.”  This talk will focus on the state of Rohingyas in Bangladesh and Myanmar, illuminating an intricate relation of…

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A Night of Refugee Voices

October 11 @ 5:30 pm - 7:30 pm
Rice Conference Room, 295 Lafayette St, 2nd Floor
New York, NY 10012 United States
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A Night of Refugee Voices will celebrate the voices of members of the refugee community and help bring the refugee crisis into focus at NYU. This is an opportunity to learn from various people's experiences and work in refugee rights and aid.

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Climate Change and Resiliency Planning in Communities of Color

October 11 @ 5:30 pm - 7:00 pm
Rice Conference Room, 295 Lafayette St, 2nd Floor
New York, NY 10012 United States
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Panelists to discuss with students and others how Latinx and other communities of color in the US are being affected by climate change and resiliency planning. Examples of particular issues to discuss include the aftermath of Hurricane Maria in Puerto Rico, how Latinx communities in CA/the west coast have dealt…

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Worldmaking: Race, Performance, and the Work of Creativity – A Book Talk by Dorinne Kondo

October 17 @ 6:00 pm - 8:00 pm
Performance Studies Studio 612, 721 Broadway
New York, NY 10003 United States
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About Worldmaking: Race, Performance, and the Work of Creativity: In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchantly…

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